another successful drink & draw weekend

i had a little weekend getaway with a few friends. one of them has moved over to fyn (the island between us here on the "mainland" and the big island where they keep copenhagen) to an idyllic little village and opened a gallery and B&B. so charming! and she's got a beautiful studio, where she showed us how to do the monoprint technique she's been working with of late. we used "china paper" - a thin, but surprisingly strong paper that can take a lot of layers of paint and texture.

so much fun. we each chose a color palette and after a walk, to gather bits and bobs from nature, we settled in to work. we used a variety of techniques - painting with acrylics, using gel pens, printing with feathers and plants, slowly building up texture on our pieces.

i found myself working with mustard yellow, teal, payne's grey (it looks quite black in these photos) and a peachy color that i mixed, plus the odd metallic gold accent. it was interesting how we were each drawn to a specific palette that i'm not sure any of us consciously knew we had in our heads.

some of my pieces worked and some didn't. some worked for awhile and then stopped working. it was an interesting process and one which i thoroughly enjoyed, but never really felt i had control over.

through it all, we laughed and drank some wine and enjoyed some good vegetarian chili, told stories, shared and laughed some more. we had moments of silence, deeply concentrating on our work, and then more laughter and sharing. it was that kind of powerful feminine medicine that you just need once in awhile.

i was surprised by the direction some of my pieces took - these two got rather dark after i became inspired to use a bit of dusty grey pastels on them, giving them a very different look than my other, bright pieces (underneath, the palette is the same). and some of my old favorite helleristning motifs came out from somewhere in my subconscious. it felt right, like moments of flow always do.

here's the end result of one of the others - i think you can tell that she's actually educated as an artist.

this friend did two rounds of the small sheets of chinese paper, with very different color palettes. she felt the second round went much better than the first. but sometimes it does take warming up when you're learning a new technique.

and our hostess, who had been working with the technique for some time, made some beautifully textured, multi-layered pieces. beautiful to see the individual ways our creativity manifested itself, expressing something utterly unique, using similar materials. magical. we definitely need to do this more often.